Tracey Snelling
Recent press:
JUXTAPOZ interview with Austin Mcmanus
interview link

HI FRUCTOSE article by Nastia Voynovskaya
magazine link

Present events:
New Image Art Gallery
July 11 - August 2015
Los Angeles, CA
Artists include Barry Mcgee, teen witch, YarrowSlaps, Alicia Macarthy, Jenny Sharaf, Mars 1, Chris Johanson and others
New Image link

Triennale Brugge 2015
May 20-October 18, 2015
Brugges, Belgium

Gemeentemuseum Helmond
Helmond, Netherlands
June 27 to September 13, 2015
Artists include Milan Kunc, Terry Rodgers, Tracey Snelling, Thomas Wrede , Martin Parr, Inez van Lamsweerde, David Godbold, Anton Corbijn, Martijn van de Griendt, Loretta Lux, Philip-Lorca diCorcia, and others

The Art in Literature and Literature in Art
Artium, Basque Centre-Museum of Contemporary Art
Vitoria-Gasteiz, Spain
April 17 - October 10, 2015
Writers and artist include: Mario Vargas Llosa, Honoré de Balzac, Paul Auster, David Hockney, Cristina Lucas and more.

Summer Group Show
Hashimoto Contemporary
San Francisco, CA
July 2 - 25, 2015
Including Brett Amory, Crystal Wagner, Derek Weisberg, Drew Leshko, Erin M Riley, GATS, Jessica Hess, Lucien Shapiro, Nychos, Tracey Snelling, and others.

Driving down the street at night, I look at the lit windows of the houses that I pass, and I wonder who lives there. What is taking place behind that drawn window shade? A tired motel sign along the side of the highway still buzzes and beckons travelers to come stay in one of the faded rooms. An old furniture store on a street in a forgotten downtown is dark and the sofas are covered with dust. I want to know the stories of the people who once inhabited these areas.

My work derives from voyeurism, film noir, and geographical and architectural location. Within this idea of location, themes develop of a particular locale’s inhabitants: Who are these people? What do they do and why do they do it? These questions transport observation into the realm of storytelling, and as my work evolves, I continue to explore place, people, and culture through the use of scale and repetition of a theme; I create new realities that change with the viewer’s
perception. Through video, sound, and manipulation of size, I am not trying to replicate a place; rather I give my impression of a place, its people and their experience, and allow the viewer to extrapolate his or her own meaning.

When visiting different cultures, countries, and neighborhoods, I am fascinated by the possibility of unfamiliarity. To be square in the middle of a culture so foreign, one almost feels invisible. To walk down these alien streets, trying to dress and assimilate as though I belong, I am able to observe subtly the daily interactions and goings-on of the people who live and work there. Sometimes I will give up the idea of being inconspicuous and travel as “the tourist,” camera and sound recorder in hand, which offers yet another perspective and offers a completely different take.

At the core of my work resides the intersection of place and experience. I try to do this with as much respect as possible to foreign cultures and tradition, while staying true to the call of the artist by shining a light on the little seen corners. Ultimately, my personal views and ideas come into play, and I believe it is this melding, the known with the unknown, the foreign with the familiar, that fuels my work and creates such a rich experience for the viewer.